By VOICE-TRIBUNE
Photos by Matt Johnson
After a 15-year hiatus, Roarchestra made a spectacular return to the Louisville Zoo in July for a unique and vibrant experience that blended classical music with contemporary soul. The event, which celebrated American music, underscored the Zoo’s commitment to offering diverse and enriching experiences to the community.
The return of Roarchestra brought together families, music enthusiasts, and community members who gathered with blankets and lawn chairs to enjoy an evening with Louisville Orchestra. The event’s setting at the Louisville Zoo added a magical backdrop, making the experience even more memorable.
The performances were highlighted by vocalists with deep roots in the Louisville music scene. Jason Clayborn, a gospel singer with a rich musical heritage, captivated the audience with his powerful voice and stage presence. Daria Raymore, another Louisville native, showcased her undeniable vocal talent alongside Teaira Dunn, CeCe Dunn, and Latiana Clayborn.
Musical Director Teddy Abrams curated a program that celebrated the richness of American music. The powerful first movement of Antonín Dvořák’s Symphony No. 9 added a touch of classical grandeur to the evening. The inclusion of Leonard Bernstein’s “Three Dance Episodes from On the Town” exemplified the fusion of classical and popular music that Bernstein championed. “Bernstein is a representative of what American music can be. Yes, classical composer and conductor and educator, but also someone who brought together all of the music that he loved, all of the music that he heard in this country, and he synthesized it and distilled it and made something unique and something truly American,” said Teddy Abrams to Roarchestra guests.
Gabriel Globus-Hoenich’s reimagined soul classics brought a contemporary flair to the event. Performances of “(You Make Me Feel Like) A Natural Woman” and “Ain’t No Mountain High Enough,” featuring the soulful voices of Clayborn and Raymore, electrified the audience. Other standout performances included James Brown’s “Cold Sweat” and Aretha Franklin’s “Rock Steady.”
The event also highlighted contemporary compositions, such as Tyler Taylor’s introspective piece inspired by Tytianna Wells’ “American Dream,” and Teddy Abrams’ own “Overture to The Greatest.” These works demonstrated the evolving nature of American music and the importance of supporting new artistic expressions.
Roarchestra’s return to the Louisville Zoo was more than just a concert; it was a celebration of music’s power to bring communities together. The event underscored the Louisville Zoo’s role as a cultural hub and provided a platform for local artists to shine. As the final notes echoed through the Zoo, it was clear that Roarchestra had reclaimed its place as a beloved Louisville tradition.
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